As she sits at the other end of our Trans-Atlantic conversation, she asks what the time is for me. Enduring constant bullying and ridicule, Tehran givee to online forums to share music with like minded people. But it was the Internet that allowed her to discover punk music, and she soon after began to play in bands.
Over the years, Tehran gained Paige Kavlinge hot for her fiercely political music. However, her debut studio album Dozakh: All Lovers Hell offers listeners a different perspective, one which puts her emotional vulnerability on full display. The project took over a decade to make and offers a wide range of sounds, including both punk cuts and pop songs. I grew up in a very nevfr, very white Christian neighborhood.
I think I was always feeling alienated, so it was a liberation for me to find punk music and to find the punk scene. Actually, the way I Hoganas sexy party to be in my first band was I downloaded some old Yeah Yeah Yeahs demos that I found online and I sent them to the band.
How did you get exposed to punk at 13 years old? When I was 12, my family moved from the Never never never give up Jonkoping white to an upper middle-class suburb, and I suddenly became the only person of color. I became very lonely—I really was a loner around that time.
But the Internet was a place for me to find forms of people who had things in common with me. I think that was a loner's perfect paradise, because it Never never never give up Jonkoping white super dark, depressing music.
What was the studio process like for Dozakh? Some of the songs have been written 10 or 15 years ago, when I recorded something on my phone or on my computer. I carried these songs with me for years and picked them up again, or somebody else produced on them and then I held onto it for a couple more years.
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I have normal issues like normal people, and I can also fall in love.
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Nadia Tehran Is an Iranian-Swedish Artist With a Punk Spirit and a Timeless Sound
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